Set con­s­truc­tion Berlin

It is not dif­fi­cult to fill an emp­ty hall with tech­ni­cal equip­ment, it has not­hing to do with sce­n­ery con­s­truc­tion. The real chall­enge lies in crea­ting an atmo­sphe­re. An ambi­ence that crea­tes a lot of “aahs” and “oohs” on the part of the guests. For us, this aspect is a natu­ral part of the pro­cess, as our ser­vices encom­pass a holi­stic approach to an event. For exam­p­le, we incor­po­ra­te the exis­ting archi­tec­tu­re of the loca­ti­on — such as a time-hono­red muse­um or a for­mer fac­to­ry — into the room con­cept or cover and hang archi­tec­tu­ral ele­ments. For us, this is the true art of set con­s­truc­tion: making tech­no­lo­gy and equip­ment “dis­ap­pear”, so to speak, or cle­ver­ly inte­gra­ting them. Wit­hout any magic, just know-how. To give the room an indi­vi­du­al touch, we also like to play with the sizes and dimen­si­ons of the struc­tu­ral con­di­ti­ons with the help of mate­ri­als and sys­tems within set con­s­truc­tion. Whe­re­as in the past we most­ly used cover­ed wood for this, today we main­ly rely on reusable sys­tem con­s­truc­tions. Our qua­li­ty stan­dards for the pro­ject are so high that they can with­stand the cri­ti­cal eye of a high-reso­lu­ti­on came­ra with a relent­less­ly long tele­pho­to lens. 

We often use the Alu­vi­si­on sys­tem, which has beco­me an inte­gral part of set construction.